Can film-makers ever play it fair when it comes to depicting war?
There's always a loser when two sides go to battle, and movie dramatisations of historic events are no different
Truth is famously the first casualty of war – and that goes double as soon as a film crew moves in. Turkey has discovered this with its recent bastion-storming blockbuster, Fetih 1453 (Conquest 1453). A scimitars'n'CGI blockbuster account of the fall of Constantinople to the Ottomans in the 15th century, it is the country's most expensive film ever ($17m budget), most popular (4.6m tickets in its first 18 days) and most lucrative ($29m and counting).
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