Playing to home audiences keeps Turkey's cinema scene cooking
With domestic films repeatedly ranking in the nation's most viewed, the Turkish industry is booming as others around it stall
You couldn't move for new waves in the noughties: even Antarctica looked capable of knocking out its own film scene. But the Latin American buena onda in Mexico, Brazil and Argentina, the South Korea extreme-Asia offshoot and the Russian blockbuster boom all had one thing in common. They found it hard to sustain their initial impact, whether it was because the global media moved on to the next big thing, or their key directors were poached by Hollywood, or there was a lack of sustained investment. Gael García Bernal reflected on the Mexican version of the problem at an NFT talk: "When we did Amores Perros, Mexico only made six films that year. There will be 65 films this year. But I don't know how many of those will be seen. The point is not just making them but of them becoming reality, of becoming films that are shown in cinemas."
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